Why the comics industry is continuing to crash

Comic book sales are down. Way, way down. And it's a total head-scratching mystery as to why this is happening.

Except to people like myself, a 45-year-old woman who grew up with a house full of comic books. I used to buy them. My grandfather used to buy them for me. Notice I said "used to."

Check out Little Red Boobinghood here that popped out of my email inbox this morning.

Seriously?

In comic books, in 2012, female characters are still just boobs with legs, or worse. DC's Starfire, an innocent and gentle alien superhero I remember from the 1980s, has been turned into an overt slut, soliciting men for sex. It's sickening.

I thought we were past this, everybody.

Nearly everything is now written for what the industry perceives as their core demographic, men 18 -30, and they wonder why comics have slumped drastically from their peak. Guys, it's because they're full of graphic violence and overt sex, so you've lost the younger readers and a lot of the women. My son is 15 and I don't want him reading some of that stuff. Gone are the days when it was safe to let your kid buy comic books off the rack at the store.

You've turned what used to be a fun diversion into an NC-17 bloodbath with porn stars.

Okay, industry leaders. C'mere. Closer. No, my eyes are up here. Okay, are you listening? Really listening? Okay, here's why your industry is failing.

There are other people in the world besides penises, aged 18 - 30. Kids, women, seniors... a lot of people  like to read about superheroes doing exciting things. Think back to the silver age of comics. Think back to the beginnings of Spider-Man and Wonder Woman and X-Men and Superman and all the other classic characters who continue to excite readers world-wide. There's a reason why they're still around. That reason is not men age 18 - 30.

Your readers include that demographic, they are not solely that demographic. By writing only to them, you exclude everyone else. I don't want to see people being literally ripped in half with their intestines flying everywhere, and I don't want my son reading that either. He doesn't need to see Batman and Catwoman screwing on a rooftop.

This is why comic books are dying. You are killing them.

How do you fix it? Hire new writers, preferably a lot more women. Stop excluding everyone but who you perceive as the core demographic. It's become a self-fulfilling prophecy: If you write only for men 18 - 30, your entire market shrinks to become that. If you're more inclusive, your market share will increase to meet it. You'll get the kids and the women again, such as myself and my son, who are eager potential buyers, if only the comics spoke our language. Right now, most of them don't.

Is this true of all comics? Of course not. Look at the Eisner-winning Mouse Guard from Archaia. Look at the top-selling B.P.R.D. from Dark Horse that's getting rave reviews, including right here on UFN. You don't need guts and sex in order to have a well-made successful comic book.

Is anything going to change, or were you just staring at my chest?

All we're asking is for our superheroes to act more heroic, like they did before. All we want is decent entertainment for the masses. All I'm saying is that if you continue to limit your audience, your audience will continue to shrink. It's not that hard to figure out once you talk to people in the real world about what they want out of a comic book. It's not about competition with new media or whatever straw man you want to throw out there, it's about creating something people want to buy.

Axe Cop: The funniest comic ever made

I was reading through the latest Dark Horse upcoming release email when something odd caught my eye.

"Axe Cop returns with a collection of new, exciting, and unpredictable stories! Written by the endlessly inventive six-year-old Malachai Nicolle and drawn by his Eisner Award–nominated thirty-year-old brother Ethan Nicolle, Axe Cop joins his comrades Uni-baby, Bat Warthog Man, and Dinosaur Soldier to fight bad guys and restore justice for kids--and grownups--everywhere!"

Is this for real, I wondered to myself? How good could it be? Curious, I downloaded the preview, and laughed myself sick. Having a son myself, I'm somewhat familiar with how a six-year-old boy's brain works, and this is the fantastically creative result: A world full of crazy heroes and villains, where all girls are on the Dumb list (except the best fairy ever), and the obvious solution to getting Bat Warthog Man's friends back is to buy a chemist and dinosaurs. Well, duh.

"All right, we just need some dinosaurs, and we'll be set."

"But why dinosaurs?"

"Because I don't know what's on Invisible Bad Guy King Planet 2, but whatever it is, I'm sure it can't beat dinosaurs."

The art compliments the content perfectly. It never takes itself too seriously, but it's not too goofy and cartoonish either. It's almost, but not quite, a noir style, which adds the needed weight to make this a perfect balance of story and art for all ages. My own son, who is fifteen now, found it hilarious too. I'm going to be buying these for sure, and probably getting some as gifts. Good clean head-chopping fun with monster trucks and robots. And, of course, dinosaurs in space.

"Well, Axe Cop, I've got my own missions to get back to. I have to fight a king who rides a dirt bike."

Hellboy summer camp with telepathy and potions training. No, really.

Do you or someone you know have a penchant for the supernatural? Do you like spending time in the great outdoors? Are you between the ages of 9 and 17? Will you be in Portland, Oregon, from July 16 to July 20? If so, Trackers Earth has the ultimate summer-camp experience for you!

Dark Horse Comics proudly announced a partnership with Trackers Earth offering officially licensed B.P.R.D. and Hellboy camps, made possible through the generous permission of Mike Mignola, creator of B.P.R.D. and Hellboy.

“Trackers Earth is part of what makes Portland such an interesting place to live, and the most fun place in the country to raise a kid. This year my 6-year-old did Trackers camps focusing on forest ninja skills and stealth archery, and attended a school of magic. I wish he were old enough for B.P.R.D. camp, and I can’t wait to participate myself,” said B.P.R.D. editor Scott Allie.

Trackers Earth is looking for a few good recruits that have got what it takes to join an elite team of paranormal investigators combating the forces of darkness from all across the globe. They immerse you in tactical training of all forms, including survival skills in any environment (both earthly and non), martial arts and self-defense specific to preternatural entities, hand-to-hand weaponry (foam swords, bows, and more) and forensic investigation. All these are key skills that every agent must have; plus, you will be steeped in the history of the Bureau and the legacy of paranormal research.

Recruits get actual field time during the entire camp. Learning is hands-on, with essential survival skills such as shelter building, stealth, and tactical and martial-arts training.

Younger Recruits, ages 9–10: Younger recruits train in survival and field skills in local green spaces. They also spend their day investigating the haunted history of our city, piecing together the larger mystery revolving around the legend of Adolph Aschoff.

Older Recruits, ages 11–13 and 14–17: Older recruits also investigate nearby “haunts,” then finally travel to Camp Trackers near Sandy, Oregon, to investigate reports of dark figures and strange happenings at the remnants of the old, defunct town of Marmot. Here they search for a legendary and lost pioneer cemetery (true story) to ask local specters and spirits about the town’s history and the legend of Adolph Aschoff, the man who is said to have sealed away an ancient evil upon the founding of the town.

Wednesday–Friday Overnight: Older recruits culminate their week with a two-night stay at Camp Trackers’ outdoor wilderness site in Sandy, Oregon. This is the perfect opportunity to focus on many of the skills taught at the camp.

The B.P.R.D. Training Camp includes:

• Tactical training
• Survival in any environment
• Martial arts and self-defense specific to preternatural entities
• Hand-to-hand weaponry (foam swords, bows, and more)
• Investigation and forensics
• Folklore and mythology
• Potions and charms 101
• Telepathy training
• Gadgets of the occult: EMF detectors, polarized lenses, and other paranormal investigative gear
• Comparative analogy and physiology of monsters
• Construction of your own quality foam swords and training weapons
• Meeting with the artists of the comic book that documents the adventures of the B.P.R.D.
• Bureau history and paranormal research

To find out more about B.P.R.D. Camp (AKA Hellboy Camp), head over to the official website.

Review: BPRD Hell on Earth Vol. 2 - Gods and Monsters

Review: BPRD Hell on Earth Vol. 2 - Gods and Monsters
from Dark Horse
On Sale February 1, 2012

It’s actually a challenge to find really good modern fantasy. That’s why UFN wanders, sometimes, into parallel universes, to find and report on things outside the norm, that isn’t what everybody else is reporting on.

This time, however, we don’t have to go any farther than the upcoming trade graphic novel from Dark Horse, BPRD Hell on Earth Vol. 2 - Gods and Monsters.

The Bureau for Paranormal Research and Defense, as most comic book fans know, is the agency that Hellboy, Abe Sapien, Liz Sherman, etc. work for and with to protect America (and, really, the world) from supernatural threats. This volume’s lead story arc involves Abe and a teen girl on the run with other “nomads,” and this particular teen can see the future. It’s a handy skill to have when you need to keep a large group of people out of danger, but it’s not without its risks. The second half of the volume covers the curious tale of a grisly trailer park cult and focuses on Liz.

The art is not my favorite style, but the writing, and especially the dialog, is superb. People speak how people would actually speak. Events and interactions make sense. The story unfurls at a pace that doesn’t have me reading and re-reading every other page to try and figure out what’s going on (unlike some other books that I won’t mention here). The characters, even the bad guys, are enjoyable, interesting and compelling. I was hoping to see more of Hellboy (or any Hellboy, he doesn't appear in this volume) and Panya, but maybe next time.

BPRD is the perfect kind of tale for UFN, because it’s well-written urban fantasy that’s honest, gritty and clever. If you haven’t given these titles a look, please do, even if it’s at your local library. Chances are, you’ll be hooked.

Jill Thompson first woman to win NCS award in comics

Jill Thompson (Scary Godmother) was awarded the highly coveted National Cartoonists Society (NCS) award this past weekend at the Reuben Awards Ceremony.  She was presented this award in regards to her work in the Dark Horse comic Beasts of Burden.

Jill Thompson is the first female creator to win in the comics category in the history of the Rueben Awards. To add to her list of credits, Jill Thompson is a New York Times Best Selling graphic novelist, as well as having received multiple Eisner awards for her work on Scary Godmother (2001), The Dark Horse Book of Hauntings (2004) and The Dark Horse Book of the Dead (2005).

The collected trade Scary Godmother: Comic Book Stories will be on sale in stores June 15th.

Beasts of Burden returns this fall in issue #4 of the eighty-page anthology, Dark Horse Presents!, on sale in September.

Retro Spidey and other fun statues coming from Dark Horse

The 1960s brought a cultural upheaval in music and art, with a host of new icons entering the scene: The Beatles, Andy Warhol, and, of course, Marvel Comics, led by a host of characters that defined modern comic books. Now, these characters will appear just as they did then, in a new line of collectible statuettes from Dark Horse Deluxe.

Beginning in September 2011, the program will include two alternating series: Classic Marvel Characters and the Fantastic Four. The statues portray these characters just as they originally appeared: Spider-Man is presented with his early “web wing” costume, and Daredevil is in his yellow-and-red uniform, for instance. This new line will be deliberately different than the common modern Marvel collectible sculpture, with features like a rougher surface texture, visible seam lines, and other slightly “distressed” aspects, such as the method of paint application.

“I’ve collected Marvel comics since I was a kid,” Dark Horse president Mike Richardson recalled, “so I am really excited by this opportunity to add these terrific characters to our classic Syroco line. From the beginning, the goal of this program was to give a very unique treatment to the greatest characters in comics, and now we have the good fortune to work with the fine folks at Marvel on some of my absolute favorites.”

Each hand-numbered statuette comes carefully packaged in a custom-tooled, full-color, litho-printed tin box, in a style similar to past releases in the Dark Horse Syroco line. Also included is a small booklet about each character and a vintage-style pin-back button of the character.

Dark Horse’s statuettes are inspired by figurines developed in the 1930s. Now highly prized by collectors, they were often used as advertising premiums featuring famous comic-strip characters. Now known as Syroco figurines, these statuettes are named after both the company that originally produced them and the woodlike resin material from which they were made at the time. Measuring between four and five inches, these statuettes have been sculpted in the original style, described by sculptor Craig Yoe as “primitive but charming.”

Disney’s Uncle Scrooge, the Kellogg’s cereal mascots, Charles Schulz’s Peanuts, stars of DC Comics and Archie Comics, The Simpsons, newspaper-strip greats, and more have all previously appeared in this Syroco-style continuing series of collectible limited-edition sculptures.

Spider-Man, limited to two thousand numbered statuettes, will be the first in the Classic Marvel Characters series, going on sale in September. In addition to the ongoing Classic Marvel lineup, other anticipated series include the original Avengers.

WonderCon day one roundup

So much to say, so little time! It's late, and I have a ton of material to cover, so let's get right to it.

After getting my badge and visiting some booths and tables, the first event was an interview with the energetic Brea Grant, known for her roles as Jean on Friday Night Lights, and speedster Daphne on Heroes, and her brother Zane Grant. The pair have several projects in the works, including We Will Bury You from IDW, and a couple of other interesting urban fantasy tales involving the use of magic. Good stuff, and the complete transcript of the interview with photos will be up ASAP.

Then it was on to the Falling Skies panel. This is a new show produced by Dreamworks and written by Mark Verheiden (of Heroes, also co-executive producer) and Melinda Hsu (of Lost), and co-executive produced and directed by Greg Beeman (also of Heroes) who was scheduled to appear but didn't make it. I was very impressed by it, and can see some of the vibe of season one Heroes amongst the extremely dark and gritty (and, in some ways, horrific) tale that we saw the footage for. In talking to Hsu at the Dark Horse booth after the panel, she assured me that the show does have hope and brighter moments. Falling Skies focuses on the humanity of the situation less than the CG eye candy of the aliens themselves, much as Heroes focused on the people, not the powers. Again, more on that panel and what I saw there as I'm able to post it. Definitely a show to put on your watch list.

Opposite the Green Lantern panel, and poorly attended as a result, was The Evolution of Comics in the Transmedia Space. It's a shame, because it was an excellent panel featuring producers, artists, writers and other top talents in the comics industry discussing how old-fashioned print comics are spiraling down fast, and how to save the genre by exploring how comics can work in the digital age. We were treated to footage of the Fall Out Boy (Double Barrel) and Tron (Disney) motion comics, as well as a spirited, thought-provoking discussion. More on that coming soon!

Capping off the night was an exclusive screening of footage and the "sizzle reel" from Priest, the upcoming film starring Paul Bettany as one of a supernatural "priest" caste of vampire hunters. But these vampires are like none we've ever seen before, and will creep you the eff out when you finally see them on screen. I'm still getting shivers over the sounds they make. They are very alien, and very much do not sparkle in any way, shape or form whatsoever. This is Legion's super badass big brother who will knock you around the block, and you'll want to take pictures of the cool bruises.

Speaking of Priest and Paul Bettany, I'm going to be interviewing director Scott Stewart, Paul Bettany, Cam Gigandet, Lily Collins and Min-Woo Hyung tomorrow, and I couldn't be more excited. The footage I saw went far beyond my expectations, and I think this will do well at the box office when it opens in a few weeks.

I've already hooked up with a lot of people and made some new friends, so beyond the articles outlined above, there are articles and interviews galore coming soon, including information about a new Jim Henson project from Archaia Comics, and some independent comics you've never heard of (but should, and will after I spotlight them in the near future). And this is only day one! Stay tuned, tons more coming tomorrow!