Watch for Falling Skies this summer

The first media panel of WonderCon this year, and the first panel I attended, was for the new TNT show Falling Skies. As I outlined in the Friday roundup post, this is a new show produced by Dreamworks and written by Mark Verheiden (of Heroes, also co-executive producer) and Melinda Hsu (of Lost), and co-executive produced and directed by Greg Beeman (also of Heroes).

Unlike most "alien invasion" concepts, this one starts six months after the world-changing event, which occurs in the present day around the world. "The shock has gone away," said Verheiden. "Now they can focus on how to survive. It has a different tone than 'oh my god, they're attacking.'"

The aliens have set off an electromagnetic pulse, which has destroyed or made useless anything involving electricity. They're also kidnapping teens for slave labor, keeping them in line with zombie-like actions via some kind of creature that attaches to the back of the neck and extends down the spine. The spooky thing is that nobody knows why they're being taken and used in this way. In one scene we saw, they were simply piling up scrap metal, piece-by-piece, like robots. Why do the aliens want this scrap metal in a pile? Why are they even on earth at all? The interesting thing about Falling Skies is that because the humans involved don't know the answers, neither does the audience, helping you feel like you're right there in the trenches with the resistance.

The overall creepiness of the show is definitely pegging the red from the footage we saw. One fellow reporter was so creeped out by the six-legged "skitter" creatures that she doesn't think she'll be able to watch it. She described it as "Dark Angel meets Terminator." Add something like Aliens or The Thing into the mix, and it's pretty close. Falling Skies is extremely dark and gritty, as the entire story focuses around hiding from the aliens, fighting the aliens, rescuing people from the aliens, and trying to find supplies while the six-legged "skitters" or huge robotic "mechs" lurk around every corner ready to kill any humans without a second thought. Except the teens, that is. Those are needed for... something.

I was concerned about the constant barrage of darkness, violence, and even hopelessness, especially as the trailer starts off with drawings children have made of witnessing their friends and family being killed by the invaders. The children seem to be losing hope that they will even see their parents from one day to the next, as all able-bodied adults are part of the resistance. I talked to Hsu about this, and she said there would definitely be quieter moments and never a complete loss of hope. One of the clips we saw showed a daytime shot of a small group of humans setting up a campsite in the overgrown back yard of an empty house. Two of the characters go up to a girl's bedroom overlooking the yard, which gives a bittersweet sense of loss. The room is normal, rather than ravaged, and the characters muse briefly on who the girl might have been as they sit down on her bed and talk. We ache for this girl and wonder if she's been taken captive, or killed, or is still on the run somewhere, and we hope that she makes it back to her award ribbons and toy horse collection.

"Keep your eye on the skitters," Verheiden said with a little sly smile. "You think they're one thing at first, and then maybe they're something else."

Like the skitters, this modern-day battle for freedom and independence is complex and not entirely what it seems. Even among the surviving humans there's conflict. The soldiers may have been destroyed in the first wave of the invasion, but now a citizen's militia has taken a firm hold, with two factions taking hold -- the military, whose sole purpose is to fight off the aliens, and the civilians who just want to give their kids a better life like the one they had before the aliens came.

The guns are real, the props are real and the issues are real. What if this happened to you? What would you do? Is it worth your life to try and grab that can of food in the street? What would your role in this fight be?

Falling Skies was originally titled Concord, after the battle of Lexington in America's own war of independence. The common person is thrust into a role of combat, and we empathize with their struggle and examine what choices we would make throughout. This is definitely one show people will be talking about this summer and beyond. Premieres June 19 on TNT.

WonderCon day one roundup

So much to say, so little time! It's late, and I have a ton of material to cover, so let's get right to it.

After getting my badge and visiting some booths and tables, the first event was an interview with the energetic Brea Grant, known for her roles as Jean on Friday Night Lights, and speedster Daphne on Heroes, and her brother Zane Grant. The pair have several projects in the works, including We Will Bury You from IDW, and a couple of other interesting urban fantasy tales involving the use of magic. Good stuff, and the complete transcript of the interview with photos will be up ASAP.

Then it was on to the Falling Skies panel. This is a new show produced by Dreamworks and written by Mark Verheiden (of Heroes, also co-executive producer) and Melinda Hsu (of Lost), and co-executive produced and directed by Greg Beeman (also of Heroes) who was scheduled to appear but didn't make it. I was very impressed by it, and can see some of the vibe of season one Heroes amongst the extremely dark and gritty (and, in some ways, horrific) tale that we saw the footage for. In talking to Hsu at the Dark Horse booth after the panel, she assured me that the show does have hope and brighter moments. Falling Skies focuses on the humanity of the situation less than the CG eye candy of the aliens themselves, much as Heroes focused on the people, not the powers. Again, more on that panel and what I saw there as I'm able to post it. Definitely a show to put on your watch list.

Opposite the Green Lantern panel, and poorly attended as a result, was The Evolution of Comics in the Transmedia Space. It's a shame, because it was an excellent panel featuring producers, artists, writers and other top talents in the comics industry discussing how old-fashioned print comics are spiraling down fast, and how to save the genre by exploring how comics can work in the digital age. We were treated to footage of the Fall Out Boy (Double Barrel) and Tron (Disney) motion comics, as well as a spirited, thought-provoking discussion. More on that coming soon!

Capping off the night was an exclusive screening of footage and the "sizzle reel" from Priest, the upcoming film starring Paul Bettany as one of a supernatural "priest" caste of vampire hunters. But these vampires are like none we've ever seen before, and will creep you the eff out when you finally see them on screen. I'm still getting shivers over the sounds they make. They are very alien, and very much do not sparkle in any way, shape or form whatsoever. This is Legion's super badass big brother who will knock you around the block, and you'll want to take pictures of the cool bruises.

Speaking of Priest and Paul Bettany, I'm going to be interviewing director Scott Stewart, Paul Bettany, Cam Gigandet, Lily Collins and Min-Woo Hyung tomorrow, and I couldn't be more excited. The footage I saw went far beyond my expectations, and I think this will do well at the box office when it opens in a few weeks.

I've already hooked up with a lot of people and made some new friends, so beyond the articles outlined above, there are articles and interviews galore coming soon, including information about a new Jim Henson project from Archaia Comics, and some independent comics you've never heard of (but should, and will after I spotlight them in the near future). And this is only day one! Stay tuned, tons more coming tomorrow!